Our Dear Dead Drug Lord

By Alexis Scheer

Directed by Hannah Luyet

A thriller about four high school girls whose seemingly harmless fun turns into something threatening when the limits of imagination are tested. Set in the face of the 2008 presidential election in Miami, a coven of teenage girls meet in an abandoned treehouse to summon the ghost of Pablo Escobar. Are they actually summoning the leader of the Medellín Cartel? Or are they just playing tricks on one another? This roller coaster ride through the trials and terrors of girlhood dabbles in dark magic and the uncertainty of growing up. 

November 14-16 & 21-23

7pm

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Heroes of the Fourth Turning

By Will Arbery

It’s nearing midnight in Wyoming, where four young conservatives have gathered at a backyard after-party. They’ve returned home to toast their mentor Gina, newly inducted as president of a tiny Catholic college.

“Astonishing and riveting.” - The New York Times

“A perfect production that left me with my heart in my mouth.” - TimeOut New York

“So frighteningly well written, it’s hard to write about . . .The sneaky, simple brilliance of Heroes of the Fourth Turning is that it's not actually about its characters' talking points at all. It's about them. It's not shouting; it's listening.” - Vulture

September 5-7 & 12-14

7pm

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You Got Older

by Clare Barron

May 23-25

May 30-June 1

7:00pm

Mae returns home to help take care of Dad and – maybe (a little) – herself. You Got Older is a tender and darkly comic new play about family, illness, and cowboys – and how to remain standing when everything you know comes crashing down around you.

"This terrific new play by Clare Barron offers a hilarious and painfully affecting blend of oddball dialogue, beautifully observed family dynamics, and a preoccupation with the weird ways of the body [...] Barron’s special genius lies in the deep dividends she derives from small talk." - The New Yorker
"The bold young playwright [Clare Barron] blends fantasy with a level of brutal candor that few would even dare to bring into conversation with their closest relations. Yet in Barron's boundaryless world [...] [she] uses her unique voice to build a quirky and sincerely touching family story." - TheaterMania

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